Calligraphy, type and color
Calligraphy, type and color 2
Calligraphy, type and color 3
I was trained as a graphic designer right during The Transition. I had to make countless exercises by hand, with traditional instruments, with ancient techniques, with state-of-the-art technology available at that time, which was not yet digital.
My frustration at not achieving perfection was equally state-of-the-art.
I had to design posters using transferable type. There was no transferable type available in the color or the size I wanted, so the final result never looked like the design I had in my mind. And somehow my (now gone) hoarder ways allowed those transfer sheets to survive almost intact for over twenty years. I decided I should use them for what I wanted to do now, now they would be a graphic element like any other. Far from trying to achieve a similar effect with a computer (which I try to use as little as possible) I transferred all the letters I could with all the anger of my accumulated frustration at not achieving a decently aligned text line in 1995.
And now I had inks and watercolors, and enamel plates, and a scanner. And eh, yes, a computer. But it does not dictate what I want to do. It only helps me to make images like the ones I have in my mind.
I like being able to mix it all up and make something more expressive and above all, pretty much like what I had in my mind. Something spontaneous and very colorful. I always wear black clothes, but I like color. I LOVE color. The more saturated and contrasting, the better. I think of all the colors that come in flowers, fruits, fish and birds. Color is a powerful force. Keep that in mind.