This series was made between 2013 and 2015 to experiment with calligraphic textures that occupy more or less defined areas. They also proved to be a relaxing therapy by not having to think too hard about what to write with a pen. It is related to automatic writing exercises where you shouldn’t think before writing and the hand is not controlled by the conscious mind.
Probably a good way of telling what you do not want to tell anyone, putting it on paper but also hiding it to make it unreadable. Or, you can simply write what people say around you. And then you give the shape and composition you want.
One of my professors in grad school liked the abstract ones especially. I guess the gestural and abstract elements are what caught his attention. I like gestural calligraphy because the hand flows without having to express a coherent language, but must also retain control so the strokes are aesthetically pleasing. And it could mean anything.
For someone introverted like me, it can be a way of express yourself without having to say anything.
This Corvid comes from a literary inspiration (Nevermore, of course). It started as a doodle, I ended up liking it so much that I kept working on it, adding the literary element (calligraphy) as a texture in the background. It could mean thought, it could mean blood, it could mean pain, it could mean a tortured soul, it could mean disorderly intelligence. The raven’s mission is to untangle the confusing thoughts and come up with an answer to the eternal question- what is this life all about?
Buy this smarty-pants bird print on Etsy: The Raven
They say you can’t love what you don’t know. Ever since I discovered a webcam dedicated to albatrosses, I was completely fascinated. I’ve loved birds since I was a little girl, and I also took care of three duck friends that I still miss dearly since they passed away. Ducks started my love for water birds. And now the albatrosses are the most magnificent creatures in my opinion! They are sleek, elegant, goofy, loving, affectionate. I watched the Royal Albatross cam this year, starring Moana (hatched on January 18th and fledged on September 6th). It was a delight to watch her grow and her parents taking care of their precious chick, in a very beautiful place, Taiaroa Head in Dunedin, New Zealand -which I now have to visit-. I can only wish her safe travels and a healthy and long life.
That’s why I made this paper sculpture, to honor the adorable Moana. It turned out to be a big piece (70 x 90 cm) and the amount of cuts and slices of paper required lots of care and patience. The process itself is also an exercise of consciousness and even discipline.