Getting abstract, talking nonsense

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Calligraphy, type and color

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Calligraphy, type and color 2

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Calligraphy, type and color 3

 

I was trained as a graphic designer right during The Transition. I had to make countless exercises by hand, with traditional instruments, with ancient techniques, with state-of-the-art technology available at that time, which was not yet digital.

My frustration at not achieving perfection was equally state-of-the-art.

I had to design posters using transferable type. There was no transferable type available in the color or the size I wanted, so the final result never looked like the design I had in my mind. And somehow my (now gone) hoarder ways allowed those transfer sheets to survive almost intact for over twenty years. I decided I should use them for what I wanted to do now, now they would be a graphic element like any other. Far from trying to achieve a similar effect with a computer (which I try to use as little as possible) I transferred all the letters I could with all the anger of my accumulated frustration at not achieving a decently aligned text line in 1995.

And now I had inks and watercolors, and enamel plates, and a scanner. And eh, yes, a computer. But it does not dictate what I want to do. It only helps me to make images like the ones I have in my mind.

I like being able to mix it all up and make something more expressive and above all, pretty much like what I had in my mind. Something spontaneous and very colorful. I always wear black clothes, but I like color. I LOVE color. The more saturated and contrasting, the better. I think of all the colors that come in flowers, fruits, fish and birds. Color is a powerful force. Keep that in mind.

 

Series: The Rumi Birds

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The poems from Rumi are so simple and powerful, maybe because they are about the deepest emotions and true beauty. They go hand in hand with the imagery of birds because to me they represent the highest ideals and a connection to the whole Earth. These three short poems also resonate with me. I’ve struggled with depression and anxiety for many years and these words help, and drawing helps too.

The King Vulture is my favorite. With time I’ve come to realize no animal is ugly. Humans have associated human qualities with certain animals, which then carry a bad reputation and face real danger because of human misconceptions. Animals play a very important role in this world and they shouldn’t be associated with negative traits.

These drawings started as linear drawings with a calligraphy nib, but then color was necessary (watercolor and gouache).

But listen to me:
For one moment quit being sad
Hear blessings dropping their blossoms
around you.

Out beyond ideas of
wrong doing and right doing
there is a field:
I’ll meet you there


Forget safety.
Live where you fear to live.
Destroy your reputation.
Be notorious.